Kleine Stöberkiste

Bankenland Schweiz

VON Thibaud Giddey

L’exposition Bankenland Schweiz ( La Suisse, pays des banques ) présentée au Musée national Zurich du 12 juin au 8 novembre 2026, a pour objectif d’évoquer l’histoire du système bancaire suisse sur la longue durée.

The Dog Stars Is a Western in Postapocalyptic Drag

VON Eileen Jones

Ridley Scott’s The Dog Stars is a postapocalyptic thriller without thrills, resting on the shoulders of a mopey Jacob Elordi, who’s far from up to the task. What the film does have is a frontier fantasy it can’t stop indulging.

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Ruhrtriennale: Kunst im Bau

VON Patrick Bahners

Warum sind Lieder volkstümlich? Sie sind aus Aufgelesenem gemacht, so kann jeder mitsingen. Diesen Gemeinschaftsgeist feiert bei der Ruhrtriennale ein Zyklus nach Emily Dickinson, ein Werk von Kevin Puts für Joyce DiDonato.

Women issues preoccupy Arab filmmakers at Cannes

VON Sulaiman Abdullah

There has been one preoccupation amongst filmmakers in the Arab region; women’s issues. All Arab feature films screened at this year’s Cannes Film Festival centered on women’s solidarity and sisterhood.

Iran’s New Grand Design: The Next Evolution of the Axis of Resistance

VON Nadwa Al-Dawsari, Arman Mahmoudian

Iran is transforming its Axis of Resistance into a decentralized, Yemen-centered network that leverages the Houthis to threaten both the Strait of Hormuz and the Bab el-Mandeb, extending Tehran’s coercive reach over the world’s key maritime chokepoints and reshaping the post-war balance in the Middle East and Red Sea.

Occupation Disguised as Development

VON Fahri Salam, Made Supriatma

Thousands of rotational soldiers move in and out of Papua. They fight, guard state projects, and leave civilians under a seemingly endless shadow of guns. Papua now hosts 74,297 soldiers. Of those, 17,780 are rotational troops drawn from across Indonesia.

Balenciaga

VON Catharina Rüß

Nach der Grenzüberschreitung Demna Gvasalia, der Kreativdirektor von Balenciaga, erklärte im März 2023: »Fashion to me can no longer be seen as an entertainment, but rather as the art of making clothes

New community museum honors the legacy of Eddie Conway and the Black Panthers

VON Mansa Musa

"…We need our own people's archives. We need our own spaces where we not only celebrate and remember, but we tell accurate histories of resistance, of black liberation in particular, but not even limited to that, the experience of indigenous people, the experience of Latino people" says Dominque Conway.

I don’t want anyone liking this!

VON Friedrich Markewitz

Sind die Human-Centipede-Filme Kunst, oder kann das weg? „Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don’t shine“ (Ebert 05

›Etikettenschwindel‹

VON Torsten Hahn

Zu Wesen der Flasche und Kunstförmigkeit der Weinetiketten Dieser Text handelt von Weinetiketten

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Symposium on Visual Investigations

VON Clive Vella

In early 2026,WITNESS, in collaboration withAirwars, initiated five workshop sessions, led by Clive Vella (Data Manager, Airwars) to train a core team within theBangladesh Protest Archive (BPA)in the designing of their datasets.

Translations: Surprise Viral Hit “Niu Lai” Represents “a Revenge-Vote by Chinese Filmgoers” Amid Ban Rumors

VON China Digital Times

A schlocky, ultra-low-budget Chinese animated film with the title “The Cow Comes” or “Here Comes the Cow” (牛来, Niú Lái) has become the surprise hit of the summer, with its clumsy (but not AI-generated) animation, goofy plot, and earnest attitude inspiring thousands of memes and creating a carnival-like atmosphere among bemused audiences—many of whom were …